By Frank Close, Philip Ball, Brian Clegg, Alexander Hellemans, Leon Clifford, Sophie Hebden, Sharon Ann Holgate, Andrew May
The bestselling 30-Second... sequence takes a innovative method of studying approximately these matters you're feeling you might want to particularly comprehend. every one identify selects a well-liked subject and dissects it into the 50 most important rules at its center. each one suggestion, regardless of how advanced, is defined in three hundred phrases and one photo, all digestible in 30 seconds. 30-Second Quantum conception tackles a mindbendingly mysterious zone of physics, introducing the 50 most vital quantum quandaries and ideas. In a global the place the quantum physics of electronics is a regular crucial and new quantum advancements make headline information, you are going to stopover at Parallel Worlds, trip Wave idea, and examine barely enough to speak with simple task approximately Uncertainty thought and to untangle the mysteries of quantum entanglement.
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Additional resources for 30-Second Quantum Theory
It is also a training ground based on equality (“. people of all ages, origins and backgrounds. ”), which operates first and foremost both on the cognitive level (“. exploiting one’s own innate curiosity. ”) and on the educational level in a society, like that of the United States, which is an ethnic and cultural melting pot. The third and final aspect is the aesthetic dimension. The Exploratorium – originally founded as a “museum of art, science and human perception” – quite explicitly seeks to create a relationship with its visitors.
It uses the beauty and implicit elegance of natural phenomena which represent a sort of “bait” to capture attention of visitors and create a sense of wonder that can then be channelled towards the understanding the laws involved. Beauty returns, this time in an explicit form, in the decision of the exhibition curators of the Exploratorium (and other museums and science centres) to entrust artists with the creation of hands-on exhibits. It was on these foundations – extremely summarised briefly here – that a whole generation of museums arose or traditional museums were modernised with undisputed success, at least until the mid-1990s.
Indeed, Einstein says that his predominant emotion was that of wonder, astonishment and enchantment which did not derive from an astonishing or “monstrous” event. It is a small object, a needle, with its unexpected behaviour, that reactivates the chain of emotions and adult reflections. And, it should be emphasised, it is a real event, an actual phenomenon, rather than a simply conceivable event. The reality of nature and its “simple” phenomena left a mark on the young Einstein that was to be profound and indelible.